MÓJ OGRÓD

decomposion:

Art history meme (x) - 1/3 countries/regions - Far East Asia

Lofty Mount Lu by Shen Zhou | Blue Birds at Night by Watanabe Shotei | Pear Blossoms by Qian Xuan | Apricot Blossoms and Peacocks by Lü Ji | Plum Blossoms by Sun Long and Chen Lu | Moran Hojeopdo by Joseon | A Pair of Peacocks in Spring by Imao Keinen | Summer. Blooming wisteria and fish by Watanabe Shotei

(via nibi-nix)

lamus-dworski:

Dwór - small manor house, usually wooden, built by the szlachta (Polish nobility) in the rural areas. The example above can be seen in the skansen (folk museum) in Ciechanowiec, Poland, relocated there from the nearby village of Siemiony where it was built in 19th century by the Potocki noble family, originally playing the role of a hunting mansion [source].

asylum-art:

At Joshua Liner Gallery, New Works from Tiffany Bozic.

For this work, Bozic remembers a trip to Mount Lassen, California, with her husband. Recalling the experience—even though several years had passed—Bozic finally sat down to create this painting, remembering her imagination of “deep sea organisms slowly drifting up into the sky from the black current of the water.” She also notes, “I suppose the image stuck with me because it could be a metaphor for a lot of my different emotions… some light and warm, some deep and cold.” The contrasting tones and shades lend themselves to this mood, with negative dark space and dark trees emerging from the solid white snow forms. The ethereal sea shapes preside over the scene.

In an attempt to relay her consciousness’ perspective, this body of work is a rich account of Tiffany Bozic’s incredible encounters with nature. Bozic describes the source of her inspiration as a “complex and inexplicable world.” However, with Qualia, Bozic’s world is within reach and beautifully discrete.

lopfe:

"It was all very well going on about pure logic and how the universe was ruled by logic and the harmony of numbers, but the plain fact of the matter was that the Disc was manifestly traversing space on the back of a giant turtle and the gods had a habit of going round to atheists’ houses and smashing their windows."
- The Colour of Magic | Terry Pratchett (1983)

lopfe:

"It was all very well going on about pure logic and how the universe was ruled by logic and the harmony of numbers, but the plain fact of the matter was that the Disc was manifestly traversing space on the back of a giant turtle and the gods had a habit of going round to atheists’ houses and smashing their windows."

- The Colour of Magic | Terry Pratchett (1983)

(via twin-city-ankh-and-morpork)